Joined the collection in 2019

Pieter
Obels

Pieter Obels, born in 1968, is a Dutch sculptor. He works with Corten steel, transforming this robust material into forms of astonishing lightness and grace, with delicate and sinuous curves that seem to defy the rigidity of the metal.

Listen to the artist

Sculpture métallique de Pieter Obels exposée le long de l'allée cavalière dans les jardins du Château de Vullierens.
Vue rapprochée de l'oeuvre métallique de Pieter Obels, sur fond d'automne.

A graduate of the Tilburg Academy of Fine Arts in 1992, he initially experimented with various materials before dedicating himself exclusively to steel, which he considers the most suitable medium for expressing his ideas. His work has been featured in numerous solo and group exhibitions worldwide, including Art Basel and the Swiss Triennial Festival of Sculpture in 2015, the Schlosspark in Cologne-Stammheim, and the Gunzburg Sculpture Park in Germany.

Obels has received several awards, including First Prize at the 6th National Juried Exhibition in New York in 2004, and he was nominated for the Altoid Award by the New Museum of Contemporary Art in New York in 2008. His works are part of prestigious collections, including the Wayne State University Art Collection, the Grey Art Gallery in New York, and the Farjam Collection in Dubai.

Pieter Obels’ inspiration stems from spontaneity and improvised gestures. Rather than following a strict plan, he allows the Corten steel to transform under his hands, becoming airy and fluid forms. His sculptures invite the viewer to move around them, exploring every angle, thus revealing the movement and lightness hidden within the material. Each work then becomes a living dialogue between matter and the eye, a sensory experience where the steel almost seems to dance.

Pieter Obels

Obels

In the gardens of Vullierens, a sculpture by Pieter Obels has been on display since 2019. Made of Corten steel, it blends harmoniously into the landscape and interacts with the light and space, offering changing perspectives depending on the viewing angle. “Fijngevoelige verrukking” (Sensitive Delight) particularly illustrates this subtle dialogue between the strength of the material and the lightness of the forms, inviting visitors to contemplate the encounter between art and nature.